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![]() On the whole, in spite of being a well-made film, Bhavai doesn’t stand much of a chance at the ticket windows because the city audiences will not be able to identify much with it. Editing (by Kannu Prajapati and Satyanarayan Sharma) is sharp. Production designing (by Jayant Deshmukh) is appropriate. ![]() Chirantan Das’ cinematography is of a fine standard. Prasad Sashte’s background music is fair. Lyrics (Shabbir Ahmed and Kumar Manjul) are appealing. Team Sara Music and Aanand Shandilyaa’s music is quite appealing. Pratik Gandhi is both, confident and endearing, in his maiden Bollywood film. Shreyes Anil Lowlekar’s dialogues are appealing. A plus point of the screenplay is that Gajjar and Lowlekar have included the elements of romance, comedy and emotions in it. Although the earthiness of the story and screenplay are endearing, the fact remains that their appeal is limited. The screenplay, penned by Hardik Gajjar and Shreyes Anil Lowlekar, moves at a very leisurely pace, further limiting the appeal of the drama. Hardik Gajjar has written a story seeped in traditions and although it rings true in villages, the story will not appeal to the city audiences. The film is slated to be released on February 12, 2021.Pen Studios, Hardik Gajjar Films and Back Bencher Pictures’ Bhavai is a love story set against the backdrop of Ram Leela. A recent report speculated that Shakun may be gearing up to kick off shoot in Sri Lanka in November if travel restrictions are removed. As per reports, Deepika has been keeping in touch with her character amid the lockdown and prepping for her role by reading a few pages of the script every day. On the work front, Deepika will be seen next in Shakun Batra's next that also stars Ananya Panday and Siddhant Chaturvedi. From cooking to cleaning to pampering herself, Deepika has done it all amid the COVID-19 lockdown. Often, the duo shares adorable photos on social media of their shenanigans at home. Meanwhile, amid the lockdown, Deepika has been spending time at home with hubby Ranveer Singh. Take a look at Deepika Padukone's throwback photo as Leela: The old photo from the sets quickly went viral on social media. ![]() Fans of Deepika loved her casual and candid shot on the sets of the film but they did miss Ranveer Singh in the frame. Soon, Ranveer Singh saw the photo and was all hearts for his Leela aka Deepika in it. The candid photo was shared by Ravi Varman on social media and it surely turned out to be a visual treat for fans. While she was indulging in casual conversations with the crew of Ram Leela, the candid photo was clicked. It is made even more special this year as several Bollywood stars play pivotal roles, including Bhagyashree as Sita. In the throwback photo, Deepika is seen dressed as Leela on the sets of the film. Watching the Ram Leela in Ayodhya, Lord Rams birth place, is indeed a unique experience. The Sanjay Leela Bhansali directorial managed to impress everyone and won many awards and recognitions.Īmid all this, we recently stumbled upon a throwback photo of Deepika as Leela from the sets of Ram Leela that is bound to leave you mesmerised. As Leela, Deepika stunned everyone with her intense acting. However, a performance that stunned her fans was Ranveer Singh co-starrer Goliyon Ki Rasleela Ram-Leela. Deepika enjoys a massive fan following across the world and her performances in films like Chhapaak, Padmaavat, Bajirao Mastani and others. If there is one star in Bollywood who has claimed the ladder of success all by herself is Deepika Padukone. ![]() ![]() ![]() ![]() ST: How do you guys write songs? Beat and vocals simultaneously? Beat first? Vocals first? MARIAN HILL: We grew up together and have been writing together on and off since college. SPLICE TODAY: When did you start making music together? We don't want to put too many constraints on the project until we see what we're working with.” Bring on the whiskey and the nursery rhymes. While Lloyd is “definitely interested in doing some more remixes down the line,” he’s “a songwriter first and foremost so that will still take precedent.” “Right now,” the group notes, “we are trying to write as much as possible, pushing ourselves to keep discovering our sound and seeing where it takes us. Day’s original smashes and shouts Lloyd chopped it up into a glitchy and stuttering onslaught. In addition to Play, the Marian Hill remix of Zella Day’s “Sweet Ophelia” has been very popular on the blog aggregator Hype Machine. “I like the way you play boy/tell me why you play boy/does it make you feel/like nothing else is real?” And “Whisky” thrives off the same sort of child-adult mismatch, as Gongol sings, “I like the whisky with my nursery rhymes.” Is this play fun or manipulative, sincere or pretend? On “Lovit,” which swings with tension, she comes back to this concept. In “Play,” she contrasts boys and men: “boys, they always have their toys/they’re making all the noise ” while “men, have money left to spend/and lots of family friends/they’ve learned how to pretend/they’re having fun.” The hook, “you wanna play me baby,” insists on ambiguity. In several songs, she explores the gap between reality and belief in relationships. Gongol’s a twisty, elusive singer she likes to get to a high note and then make unexpected runs in either direction. In addition to studying Drake, she’s been “rediscovering a lot of jazz greats, particularly Dinah Washington,” and listening to some belters: Sam Smith, whose highly anticipated debut album comes out May 26, and Sia, a New Zealander who maintains a solo career when not writing hits for Rihanna and Beyonce. Gongol’s singing roams the open spaces between these percussive extremes. Lloyd and Gongol pointed out that they’ve been listening to a lot of Drake lately, and while he sounds very different from Clipse, the Toronto rapper also relishes the contrast between the subterranean and the high. That was produced by Pharrell and the Neptunes, who shared a similar fondness for big holes in the middle of songs, making everything hit with more force. He also favors “having the kick and snare be at opposite ends of the spectrum, existing in totally different sonic strata-having a deep, subterranean kick and a high, crisp snare.” The song “Play” has a thundering beat that wouldn’t be out of place on the second Clipse album. ” “I love the sharpness of the right kind of snap,” Lloyd notes. To construct their songs, Lloyd and Gongol start “with the skeleton of a beat,” then “get in a room together and write the melody and lyrics. ![]() Gongol tends to drift free of that, enjoying a more idiosyncratic style. Other artists like Jessy Lanza or Kelela exist in this space, but they maintain links to classic R&B singing, channeling Janet Jackson or Aaliyah in their vocal delivery. Traditional instruments like guitars and keyboards are mostly absent (except for a horn on one track) the source of the melody is often hard to identify. The music is carefully layered, so new elements show up-rounds of samples, a couple of versions of Gongol’s vocals, additional drum sounds-at precise moments. Marian Hill focuses mainly on rhythm and voice: most of the songs on Play start with just a beat and singing. Their recently released EP, Play, swaggers and sidles simultaneously, taking what it wants from various sources and leaving the rest behind. They were able to overcome their early musical incompatibility, and the duo's middle-school favorites have little influence on the music they make now. Dre, underground stuff,” including the Minneapolis rap group Atmosphere, “and some Blink-182 for good measure.” In contrast, Gongol was into “all things pop," plus Norah Jones. Lloyd was listening to “Nelly, Eminem, Dr. Jeremy Lloyd and Samantha Gongol, the two members of the group Marian Hill, went to the same middle school. ![]() ![]() 2 Boards and Beyond was one of the best resources I used in preparing for USMLE Step 1. 20% OFF Boards and Beyond Coupon & Promo Code for January 2021. Movement Disorders (2) 4 Learn how your comment data is processed. 3 Biliary Tree and Pancreas (4) 3 Check us out at TRIAL VIDEO - Buy membership to unlock complete course. ![]() Obstetrics and Gynecology (34 Videos & 1 PDF) Exclusive. Boards and Beyond coupons is accessible to everyone. Pediatrics (16 Videos & 1 PDF & 69 Quiz) Have a good Shopping at and enjoy your shopping time with lastest Coupon, Promo Code and deals of Boards and Beyond for January 2021. Gynecology (12) 20% OFF Boards and Beyond Coupon & Promo Code for December. If “Yes” then download the Physeo below and if “No” then downloading the Physeo below might help Read more…. 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Renal and Genitourinary Slides (.pdf), 8. 1 Fluids and Electrolytes (5) + 20 Q&A Trang chủ » USMLE » USMLE STEP 1 » BOARDS AND BEYOND USMLE STEP 2 &3 2021. ![]() ![]() ![]() ![]() After the massive success of 2017’s Luv Is Rage 2, Uzi announced that he’d deleted all works-in-progress and was retiring, only to surface in 2020 with the almost mythically anticipated Eternal Atake, following the album about a week later with a Deluxe Edition that doubled its length. Like Thug, Uzi is a distinctive rapper (the stage name was given, not taken), but the key to his sound is melody, mixing post-trap rumble with the candied hooks of pop-punk and neon surfaces of EDM for a style that splits the starkness of modern hip-hop into prismatic color. But definitely not a rapper in the traditional sense.īorn Symere Woods in North Philadelphia in 1994, Uzi first started rapping to one-up a classmate, quickly making the leap to national relevance through features with Young Thug and Migos while building a tight-knit collective of producers and collaborators, known as Working on Dying, at home. That he could turn a line as bleak as “Push me to the edge/All my friends are dead” (“XO TOUR Llif3”) into a singalong only made him more vital-here was a guy feeling the pain and packaging it in style. Where previous generations of rappers leveraged influence through the boardroom (Jay Z: “I’m not a businessman/I’m a business, man”), Uzi represents a generation fluent in fashion and social media, not just a recording artist but a kind of creative director whose personality and sense of world-building telegraphs almost as loudly as the music. Lil Uzi Vert told us upfront, in his intro to Playboi Carti’s “wokeuplikethis*”: “I’m a rockstar.” The metaphor wasn’t about dominance so much as it was about flamboyance, for Uzi as a purse-carrying, post-Kanye MC raised on anime and Marilyn Manson, whose indifference toward hip-hop orthodoxy made him a punk to some and a hero to more. ![]() ![]()
![]() ![]() Single-ratio transmissions also exist, which simply change the speed and torque (and sometimes direction) of motor output. Directional (forward and reverse) control may also be provided. This switching may be done manually (by the operator) or automatically (by a control unit). Often, a transmission has multiple gear ratios (or simply "gears") with the ability to switch between them as the speed varies. Transmissions are also used on pedal bicycles, fixed machines, and where different rotational speeds and torques are adapted. The transmission reduces the higher engine speed to the slower wheel speed, increasing torque in the process. Such engines need to operate at a relatively high rotational speed, which is inappropriate for starting, stopping, and slower travel. The most common use is in motor vehicles, where the transmission adapts the output of the internal combustion engine to the drive wheels. 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Many lakes are undergoing “browning”, where waters become darker and less transparent due to increases.Ī 4DEE Introduction to wetlands: Basic principles, online mapping, and field identification Light availability has been changing in many lakes with changes in water clarity. While the effects of nutrients on water quality has received much attention, light availability also has strong effects on water quality in lake ecosystems. Water quality is a significant issue affecting our lakes. How do Lake Ecosystems Change with Increases in Dissolved Organic Matter (DOM) and Reduced Water Clarity? Long-term investigations in lake ecology This exercise follows the Four Dimensional Ecology Education (4DEE) framework. They evaluate their findings against the Law of Final Constant Yield and the Reciprocal Yield Law. Students examine a variety of parameters in experimental populations of radish plants grown at different densities. This lab exercise examines the effect of density on the survival and growth of plant populations. ![]() This exercise is aligned with the Ecological Society of America's Four.Įffects of Intraspecific Competition on Plants Three approaches for the C/UE method are also included. ![]() The MR methods include the Lincoln-Petersen and the Schumacher-Eschmeyer approaches. It covers two main techniques: Mark and Recapture (MR) and Capture Per Unit Effort (C/UE). This activity is a lab exercise that teaches students how to estimate animal population size. Please sign in to download the resources.ĤDEE Activity - Estimation of Animal Population Size Please note that links for files are not viewable until you sign in. The advanced search option is available by clicking on "Advanced Search" on the right side of the menu bar. This information will only be shared in aggregate with the community and potential funders to paint a picture of whom we are serving in EcoEdDL and which resources are most helpful. Why do we ask you to create an account? To improve our services to you we require all users to create a FREE account and provide information about your professional background. Sign up for the EcoEdlist and community forum (powered by Google Groups) to pose your questions and receive up to date information, reports, newsletters and announcements in your inbox. Need Help or More Info? Contact Join our Community ![]() EcoEdDL strives to foster a community of ecology education users and contributors. Resources are available based on the Creative Commons Non-Commercial Attribution 4.0 International (CC BY-NC 4.0) license. Welcome to the Ecological Society of America's online education resource portal! ESA's EcoEd Digital Library (EcoEdDL) is a forum for scientists and educators to locate and contribute peer reviewed resources for 21st century undergraduate ecology education. ![]() ![]() Bernstein won his first Funny Car championship in 1985, and successfully defended his title over the next three seasons. The following year, he acquired a sponsorship deal from Anheuser-Busch (with its Budweiser brand), which lasted for thirty years until the new owner of Anheuser-Busch, InBev, elected not to renew his contract. He first became a full-time professional Funny Car driver in 1979. Drag racing career Īt the 1978 NHRA Summernationals at Englishtown, Bernstein drove the Chelsea Kingfunny car. He drove throughout Texas, Oklahoma, Arkansas, Louisiana, and Tennessee in a Cadillac. He did not have enough money, so he became a traveling salesman for Whistle Stop (a clothing line for teenage girls). Bernstein was attending the Arlington State College (now University of Texas at Arlington) in 1966 for business administration when he decided to quit to become a drag racer. Early life īernstein attended Monterey High School in Lubbock, Texas he played on the high school's football team. With the exception of a brief return to Funny Car in 2006, Bernstein did not return to the car and instead continued to run his team until the end of the 2011 season when he left drag racing altogether. Bernstein retired from full-time competition in 2002 and moved his son Brandon into the Bud King Top Fuel dragster, but returned to finish the season in place of his son after Brandon suffered a severe injury. Bernstein owned King Racing, which he drove for in the NHRA and fielded various cars in other racing series such as Ind圜ar and NASCAR. He has also been nicknamed ' The King of Speed,' because he was the first driver to break 300 miles per hour in the standing-start quarter mile. ![]() He is nicknamed the 'Bud King' for his success in the Budweiser King funny car and dragster. Kenny Bernstein (born September 6, 1944) is an American drag racer and former NASCAR and Ind圜ar team owner. ![]() Bernstein's 1987 Funny Car, which had just set the record for the first elapsed time below 5.4 seconds ![]() |
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